'கீழ்வாலை பாறை ஓவியங்கள் சிந்து சமவெளி பண்பாட்டை குறிப்பிடுபவை'.

 கீழ்வாலை பாறை ஓவியங்கள்

Tamil rock paintings are mostly available in red and white. Broadly speaking, we are able to describe the pink paintings in a work of rock art that combines Neolithic and white paintings because of the magnificent Stone Age. these works of art by the people of Adi are actually available to us in two papers, stone art and stone paintings. Early in human history, historians lived in caves and caverns similar to caves. Rock art has also been found in large parts of Tamil Nadu.

Rock art from both the Neolithic and the Stone Age is now available in Tamil Nadu. large white drawings should be, followed by using pink drawings. Tamil rock paintings, available in hues, white, DOLMENTS paintings work very well available in white. but it is possible to see that red and white colors do not work but are rarely painted in black and yellow. especially during searches, the community paints caves and rocks in living quarters to speak or rely on them and the way of life. Rock carvings should be for us in many parts of India. The work of rock art of this type is often painted within the same color and in some places, as well as useless, Karikaiyur, Cucumber Horn, and Vettaikaran Hill, painted in two colors. The oldest artwork is purple. Such historical paintings have been replicated in mountain caves, cliffs, and nests in many parts of the industry.

Symbols and other symbols are determined by greater values ​​in that artwork than by the animal and human pix. are determined by the plural. In the Tamil Nadu rock art, people, livestock, deer, horses, fish and much more. most of the human figures inside the rock paintings are marked with outer lines at the top. palms, legs, and limbs are represented by such weapons as bows, arrows, and shields. some of the marks placed on the rock statues, especially in the areas associated with Kizhvalai, Mallachandram, Thirumalai, Purakkal and Sennarayan genius, are similar to the scratches found on stone pottery. sports include watching, dancing, cultural games, and walking.

This form of "X-ray" has been seen in Tamil Nadu, Alambadi and Chettavarai. Archaeological rock artefacts are found in Mallapadi, Keezhvalai, Sethavarai, Purakkal, Padiyenthal, Alambadi, Sirumalai, Alagarmalai, Vettaikaran Malai, Konavakkarai, Kollur, Machinakudi, Neganurpatti, Kitarippatti, Thirumalai and many others, Kariram, Nay. Rock carvings depicting the internal organs of humans and animals have been seen in many parts of the arena. in Tamil Nadu.

Following this, participants of the Puthuvai historic Society, Bhagur S. Following the discovery of a small tail rock art, the Tamil Nadu Archaeological Survey unearthed historic rock paintings in the same Villupuram district in Chettavarai, Purakkal, Kulirusunai. , Padiyanthal and Alambadi. Krishnamurthy was the first to receive and submit a low-cost Tail artwork. on the reduced wall there were hundreds of red sandstone paintings painted by hand using historical boys. within a distance, the surrounding area is home to the remains of a nearly 3,000-year-old record, consisting of rocks, dunes, and mountain caves. located half a kilometer south of the toll road near the village of Kizhvalai. PL Sami looked at the Indus signs inside the diminished tail drawings and took it to the researcher's attention. lower tail

Villupuram - 23 km from Villupuram on Thiruvannamalai road. Kuppusamy and Villianur N. On 01-08-1982 sent a text to the discovery of a reduced tail drawing inside the Sunday Flower. Venkatesan, along with the President of the ancient Society and the Puducherry regional authorities, PL Sami, have examined the low-tail artwork. His title is TAMIL CIVILIZATIONPublished in the English journal of Tamil Nadu College, Tanjore (Vol.1 No.2, 1983). Lower tail within range. Even better than a handful of works of art left behind today have been devastated by environmental changes and a lack of self-confidence over the years.

it is possible that these stones were named Blood Umbrella because they were painted purple with blood, that is, purple. Historic stones are known as 'Blood Umbrella' with the helpful assistance of the local people. Sangam black and red pottery vessels of the same length and the elements of older animals are placed within the region, as evidenced by the fact of the use of the fact that the areas around the dwarf desert tail stones have persisted for settlement.

all the other stones near the painting are protected by a manure-like hole. according to Vellaiyampattu Sundaram, it was not until forty years ago that the natives of the forested region north of the Low Tail came to the Blood Umbrella on a definite one-year day and held military ceremonies. An inscription of the twenty-fourth reign of Krishna III (983 ad), king of the 10th-century Rashtrakuta, is found near a cave.

regardless of the style of ideas, the lower tail drawings also fall into the BC cycle. men concerned with low-tail work of art, ladies about animal or chicken faces. The idea that it can be hundreds is strong. this can be the cause of the expression of a human face in those drawings. KV Raman says those works of art go back to the Stone Age. let's get the drawings first. Indus Valley alphabet characters also appear in this series. a collection of pink wall art to cut down a set of works of art on top of a hill that falls on a hill following the Aboriginal cave. there is a problem measuring the time of the work of art as the understanding of the pony that should not be present now within the Indus Valley is reflected in that work of art. Drs. there is no consensus among researchers in measuring the timing of a work of art downstream. 5th Mahadevan thinks it could be about 500. within the search community, it is typical miles

                              

                               The End🙏